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Daniel Nash
Bridging Creativity and Strategy: Composer and Innovator
Experience music that moves you and innovation that inspires you.
Music That Resonates, Innovation That Inspires
Welcome to Music of Daniel Nash, where sound becomes a bridge to emotion, identity, and innovation. I blend technology, cultural heritage, and personal experiences to craft music that tells stories and explores the human condition. From creating emotionally responsive electronic music using EEG technology to blending ancient Chinese tuning systems with modern soundscapes, my work seeks to connect hearts and inspire reflection.
Hear My Latest Tracks
“respite” is a freely improvised blend of felt piano, violin, and subtle synth textures, capturing a rare moment of peace during a life transition. Written in my new home studio while on paternity leave, it reflects the calm and gratitude I felt as everything finally fell into place—our move, a long-fought pay raise, and a new baby. Flowing and meditative, the piece invites listeners into a space of reflection and stillness, perfect for neoclassical, ambient, and cinematic playlists.
A Beautiful Mess is a spontaneous blend of jazz and electronic elements. Saxophone and flute dance over groovy synth bass, layered with hand-crafted electronic drums and polyrhythmic textures. Each part was improvised, embracing imperfection to create a unique, soulful soundscape. Perfect for fans of experimental jazz and electronic fusion, this track celebrates the harmony in chaos and invites listeners into a vibrant, evolving world of sound.
Where Music Meets Innovation
Interactive Input
An audience participation piece that changes based on my emotional reaction to words shouted out by the audience.
Farraginous
EEG piece funded by the LDS Center for the Arts on the dual nature of being half Taiwanese and half Caucasian.
Play My Music
Time Precis Sheet Music (Download)
$1.99
Minimalist piece written for solo piano.
“Time Precis” was at the end of my university experience. I was about to go on an internship to Estonia. I had also decided shortly before that I was no longer going to pursue a video game composer career, and that I wanted more freedom to write. I call it the “Charles Ives Approach” , since I learned in music literature that he had a day job and just composed on his own. I believe he had the freedom to write what he did because he was not a part of the university scene nor depending on his music for a paycheck.
2 pages